Concert (Photo)
Beck - Leopard-Skin Pill-Box Hat
with Jason Falkner, Emily Armstrong, Jenny Lewis, Smokey Hormel
Aaron Neville - Shooting Star
Alanis Morissette - Subterranean Homesick Blues
Los Lobos - On A Night Like This
Willie Nelson - Senor (Tales Of Yankee Power)
Jackson Browne - Blind Willie McTell
John Mellencamp - Highway 61 Revisited
Jack White - One More Cup Of Coffee
Tom Jones - What Good Am I?
Norah Jones - I'll Be Your Baby Tonight
with Catherine Popper (bass) and Mickey Raphael (from Willie Nelson Band)
Dereck Trucks And Susan Tedeschi - Million Miles
John Doe - Pressing On
with Michael Bearden (Apf)
Crosby, Stills & Nash - Girl From The North Country
Bonnie Raitt - Standing In The Doorway
Sheryl Crow - Boots Of Spanish Leather
Bruce Springsteen - Knockin' On Heaven's Door
with Tom Morello
Neil Young - Blowin' In The Wind
Beck kicked off the 2½-hour program with an aggressive tribal blues treatment of “Leopard-Skin Pill-Box Hat.” Los Lobos gave “On a Night Like This” a Mexican flavor with some verses in Spanish set to a uptempo party vibe. After a false start because he couldn’t read the TelePrompter at the back of the arena-long ballroom, Willie Nelson eventually delivered a simmering “Senor.”
Jackson Browne offered the obscure gem “Blind Willie McTell” on a revolving stage in the middle of the room.Performing on a stage decorated with the chandeliers and old-movie spotlights that Dylan has been using on his current tour, Jack White spiked “One More Cup of Coffee” with some lacerating guitar. Tom Jones gave a reverent reading of “What Good Am I.” Springsteen contrasted quiet singing on “Knockin’ on Heaven’s Door” with roaring guitars, from both him and Tom Morello.
Norah Jones went totally Texas on the jazzy, sexy “I’ll be Your Baby Tonight” with some musical flirting courtesy of harmonica ace Mickey Raphael from Nelson’s band. Raitt put the heartache in “Standing in the Doorway.” Crosby, Stills & Nash harmonized on “Girl from the North Country.”
There were a few efforts that fell short. Aaron Neville didn’t sound emotionally invested in “Shooting Star,” Alanis Morissette couldn’t keep up with the tongue-twisting pace of “Subterranean Homesick Blues” and John Doe got out-sung by the female backup singers on “Pressing On.” There were taped tributes from Jeff Bridges, Josh Brolin and Garth Brooks.
The musical high point in a night of many highlights was probably John Mellencamp’s interpretation of “Highway 61 Revisited”; with a vocal tone and timbre that channeled Tom Waits’, he made this usually scorching rocker into a blues dirge. Never has Mellencamp sounded so artful.
▼Dylan's words in song, speech made for historic night at Grammy benefit (startribune)with Jason Falkner, Emily Armstrong, Jenny Lewis, Smokey Hormel
Aaron Neville - Shooting Star
Alanis Morissette - Subterranean Homesick Blues
Los Lobos - On A Night Like This
Willie Nelson - Senor (Tales Of Yankee Power)
Jackson Browne - Blind Willie McTell
John Mellencamp - Highway 61 Revisited
Jack White - One More Cup Of Coffee
Tom Jones - What Good Am I?
Norah Jones - I'll Be Your Baby Tonight
with Catherine Popper (bass) and Mickey Raphael (from Willie Nelson Band)
Dereck Trucks And Susan Tedeschi - Million Miles
John Doe - Pressing On
with Michael Bearden (Apf)
Crosby, Stills & Nash - Girl From The North Country
Bonnie Raitt - Standing In The Doorway
Sheryl Crow - Boots Of Spanish Leather
Bruce Springsteen - Knockin' On Heaven's Door
with Tom Morello
Neil Young - Blowin' In The Wind
Beck kicked off the 2½-hour program with an aggressive tribal blues treatment of “Leopard-Skin Pill-Box Hat.” Los Lobos gave “On a Night Like This” a Mexican flavor with some verses in Spanish set to a uptempo party vibe. After a false start because he couldn’t read the TelePrompter at the back of the arena-long ballroom, Willie Nelson eventually delivered a simmering “Senor.”
Jackson Browne offered the obscure gem “Blind Willie McTell” on a revolving stage in the middle of the room.Performing on a stage decorated with the chandeliers and old-movie spotlights that Dylan has been using on his current tour, Jack White spiked “One More Cup of Coffee” with some lacerating guitar. Tom Jones gave a reverent reading of “What Good Am I.” Springsteen contrasted quiet singing on “Knockin’ on Heaven’s Door” with roaring guitars, from both him and Tom Morello.
Norah Jones went totally Texas on the jazzy, sexy “I’ll be Your Baby Tonight” with some musical flirting courtesy of harmonica ace Mickey Raphael from Nelson’s band. Raitt put the heartache in “Standing in the Doorway.” Crosby, Stills & Nash harmonized on “Girl from the North Country.”
There were a few efforts that fell short. Aaron Neville didn’t sound emotionally invested in “Shooting Star,” Alanis Morissette couldn’t keep up with the tongue-twisting pace of “Subterranean Homesick Blues” and John Doe got out-sung by the female backup singers on “Pressing On.” There were taped tributes from Jeff Bridges, Josh Brolin and Garth Brooks.
The musical high point in a night of many highlights was probably John Mellencamp’s interpretation of “Highway 61 Revisited”; with a vocal tone and timbre that channeled Tom Waits’, he made this usually scorching rocker into a blues dirge. Never has Mellencamp sounded so artful.
Alanis Morissette, for example, re-created a performance of "Subterranean Homesick Blues" that she did at the UK Music Hall of Fame awards in 2005.
"It's in a key that's too low for her and it's played too fast for her to really keep up," an insider involved with the production told Billboard. "But Bob likes the way she performed it and so it was done that way."
One major exception was Aaron Neville, who has recorded at least eight Dylan songs. Dylan requested that he sing "Shooting Star," a song he was not familiar with.
"It's in a key that's too low for her and it's played too fast for her to really keep up," an insider involved with the production told Billboard. "But Bob likes the way she performed it and so it was done that way."
One major exception was Aaron Neville, who has recorded at least eight Dylan songs. Dylan requested that he sing "Shooting Star," a song he was not familiar with.
▼Bob Dylan's MusiCares Master Plan: Telling Alanis, Beck and Many More Exactly What to Do (Billboard)
House Band
Don Was - Bass
Kenny Aronoff - Drs, Perc
Benmont Tench - Keys
Greg Leisz - Guitar
Buddy Miller - Steel guitar
※メンバーは予測で、確かな確証はない
Back stage before performing at Musicares with Don Was the musical director and Benmont Tench from Tom Petty. pic.twitter.com/DAUAVRQjU4
— KennyAronoff (@AronoffOFFICIAL) 2015, 2月 7Photo Getty Images
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